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Filmmaker George Miller gears up for another post-apocalyptic action adventure with Fury Road, the fourth outing in the Mad Max film series. Charlize Theron stars alongside Tom Hardy (Bronson), with Zoe Kravitz, Adelaide Clemens, and Rosie Huntington Whiteley heading up the supporting cast.

About Mad Max: Fury Road

Artist : Tom Hardy, Charlize Theron, Nicholas Hoult, Rosie Huntington-Whiteley, Zoe Kravitz, Riley Keough, Nathan Jones, Hugh Keays-Byrne, Megan Gale, Abbey Lee, Courtney Eaton, Josh Helman, Debra Ades, Richard Norton, Angus Sampson
As : Max Rockatansky, Imperator Furiosa, Nux, Splendid, Toast, Capable, Rictus Erectus, Immortan Joe, Valkyrie, The Dag, Fragile, Slit, Desperate Women, Imperator, Organic Mechanic
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Release date : 2015-05-15
Movie Code : 1392190
Duration : 120
Category : Action, Crime

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Name : Peter Travers / Alias : Rolling Stone
Hardy and Theron make a dynamite team, but Theron is the film's bruised heart and soul. So get prepped for a new action classic. You won't know what hit you.

Name : Peter Rainer / Alias : Christian Science Monitor
Miller has the dubious distinction of essentially creating the post-apocalyptic action genre, and in this film, set some 40 years after the fall of the world, he outdoes himself.

Name : Bob Mondello / Alias : NPR
A gorgeous, scrap-metal demolition derby of a popcorn picture.

Name : Chris Vognar / Alias : Dallas Morning News
Mad Max: Fury Road provokes the same question from its audience again and again: What can you show me next? The answer is always the same: Something even more outlandish and imaginative than what you just saw.

Name : David Ehrlich / Alias : Time Out
Exhilarating. Pretty much the entire film is a screaming death race down Fury Road.

Name : Tom Long / Alias : Detroit News
There's no great meaning here - it's a basic story of rebellion and redemption. But there's such energy and visual invention in a world so fully realized and dazzling that the roller coaster ride is more than enough on its own.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
This is analog filmmaking at its most daring.

Name : Lindsey Bahr / Alias : Associated Press
Thirty years after Miller gave the world Mad Max: Beyond Thunderdome, he's returned to his own post-apocalyptic world and created an exceptional, fearless and poetic masterpiece that's primed to become a modern classic.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Two hours of action scenes that are well crafted and entirely lacking in suspense, and with some clever but fake-looking special effects.

Name : Kenneth Turan / Alias : Los Angeles Times
Miller . dreamed the mighty dream that is this film for more than a decade before being able to bring it to life. It has been worth the wait.

Name : Joe Morgenstern / Alias : Wall Street Journal
A gleefully violent - and improbably feminist - phantasmagoria that turns epic road rage and long stretches of vehicular omnicide into an eye-boggling joy ride.

Name : Todd McCarthy / Alias : Hollywood Reporter
This madly entertaining new action extravaganza energetically kicks more ass, as well as all other parts of the anatomy, than any film ever made by a 70-year-old - and does so far more skillfully than those turned out by most young turks half his age.

Name : Steven Rea / Alias : Philadelphia Inquirer
Miller has found his heavy metal groove (one of the legion of freaky baddies is strapped to the front of a truck, grinding out a sonic burn of electric guitar licks for the entire movie).

Name : James Berardinelli / Alias : ReelViews
Mad Max: Fury Road delivers. There's no clearer or more succinct way to put it. 30 years after last appearing on the big screen, Max roars back with a vengeance.

Name : Ben Sachs / Alias : Chicago Reader
Even after two viewings, I feel as though I've only scratched the surface of Mad Max: Fury Road. George Miller's action fantasy is astonishingly dense for a big-budget spectacle, not only in its imagery and ideas but in the complex interplay between them.

Name : Lou Lumenick / Alias : New York Post
This spectacularly great reboot is surprisingly owned not by Hardy, who is fine, but by Charlize Theron.

Name : Joe Neumaier / Alias : New York Daily News
Strap in, load up and hang on because "Mad Max: Fury Road" is a freaky, ballsy, phenomenal ride.

Name : Ty Burr / Alias : Boston Globe
The shock, really, is how tender Mad Max: Fury Road ultimately becomes. The film just wraps that tenderness in one of the most epic action extravaganzas of recent years. It's enough to renew your faith in movies.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
It's a surreal, operatic take on the action movie that makes its direct predecessors - Mad Max, Mad Max: Beyond Thunderdome and even the mighty Road Warrior - seem almost timid by comparison.

Name : Rene Rodriguez / Alias : Miami Herald
This is a huge yet surprisingly fleet and brisk picture that celebrates the visceral, primal pleasures of movies.

Name : A.O. Scott / Alias : New York Times
Even in the most chaotic fights and collisions, everything makes sense. . And Mr. Miller demonstrates that great action filmmaking is not only a matter of physics but of ethics as well. There is cause and effect; there are choices and consequences.

Name : David Edelstein / Alias : New York Magazine/Vulture
I saw it twice and liked it vastly more the second time around, when I'd adjusted my expectations and had my bearings from the get-go. Then it became about digging the spectacle - not to mention the hilarious sexual politics.

Name : Alonso Duralde / Alias : TheWrap
In the same way that the original 1979 Mad Max was the Citizen Kane of gut-bucket Australian exploitation cinema, Mad Max: Fury Road may well be the Gotterdammerung of drive-in movies.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Fury Road not only captures the same Molotov-cocktail craziness of Miller's masterpiece, 1981's The Road Warrior-it's also a surprisingly hypercaffeinated film for a director in his fifth decade behind the camera.

Name : Geoff Pevere / Alias : Globe and Mail
A double-barrelled shotgun enema straight to the senses, George Miller's Mad Max: Fury Road is an exercise in relentless, pedal-to-the-metal momentum that can only qualify as savagely pleasurable.

Name : Rafer Guzman / Alias : Newsday
The first "Mad Max" movie in 30 years doesn't disappoint - it's a sonic-speed juggernaut of violence and destruction.

Name : Michael Phillips / Alias : Chicago Tribune
The creator of the original Mad Max trilogy has whipped up a gargantuan grunge symphony of vehicular mayhem that makes Furious 7 look like Curious George.

Name : Christopher Orr / Alias : The Atlantic
An A-plus B-movie that at times feels almost like a tone poem to early-'80s excess, a cross between a monster-truck rally and a Plasmatics concert.

Name : Randy Myers / Alias : San Jose Mercury News
Miller has breathed new life not just to his own series but the action genre itself.

Name : Lisa Kennedy / Alias : Denver Post
There's enough horror remixed here - of the Heart of Darkness version - to engage our current moment. That should be one of the obligations of a reboot.

Name : Christy Lemire / Alias : ChristyLemire.com
Believe all the hype: This movie will melt your face off.

Name : Peter Howell / Alias : Toronto Star
Varoom, varoom!

Name : Alex Pappademas / Alias : Grantland
Fury Road is also one of the best action movies of the decade, a punk Last Judgment with manic invention and depraved wit on display in every frame.

Name : Soren Anderson / Alias : Seattle Times
"Fury's" pace is delirious, the stunts are incredible - such crashes, such explosions, such a lot of flying bodies - Hardy's performance is a marvel of subdued conviction and Theron brings an impressive gravity to her work as Furiosa.

Name : Dana Stevens / Alias : Slate
Essentially, the story is one extended, spectacular car chase, which changes directions mid-movie to retrace its own footsteps as the stunts grow bigger and more outrageous with each passing mile.

Name : A.A. Dowd / Alias : AV Club
With Fury Road, director George Miller returns to the lawless, oil-deprived future of his seminal series for the first time in three decades. It was worth the wait.

Name : Colin Covert / Alias : Minneapolis Star Tribune
If you're a devotee of director George Miller's earlier Mad Max adventures, you're in for a thrilling reunion. If you haven't met this international treasure yet, prepare for a treat.

Name : Richard Roeper / Alias : Chicago Sun-Times
It speaks volumes for the sheer ferocious awesome insane greatness of "Mad Max: Fury Road" that I'm not even ticked off about Tom Hardy getting stuck wearing a face mask for a good chunk of the film.

Name : Justin Chang / Alias : Variety
Thirty years have passed since our last visit to George Miller's sun-scorched post-apocalyptic wasteland, and yet "worth the wait" still seems a puny response to the two hours of ferocious, unfettered B-movie bliss offered by "Mad Max: Fury Road."

Name : Chris Klimek / Alias : NPR
A kinetic, hallucinatory, boldly feminist chase flick that, with its vibrant color palette, harrowing stunt work and show-don't-tell style of yarn-spinning, leaves every Marvel movie and every Fast & Furious in its irradiated dust.

Name : Michael O'Sullivan / Alias : Washington Post
The "Mad Max" franchise was never for everyone, yet it clearly benefits from fresh blood, too. Propelled by Miller's nitro-burning aesthetic vision and an entertaining cast, this turbo-charged new model is a gas, gas, gas.

Name : Bill Goodykoontz / Alias : Arizona Republic
It is insane. In a good way. Whoever said "Too much is never enough" made an impression on Miller, who uses the phrase as a starting point and blasts off from there.

Name : Alan Scherstuhl / Alias : Village Voice
About 90 minutes in . my dazzlement sank into something like horror: What if the wasteland rage of Fury Road is the only feeling studio movies of the future bother to stir in us?

Name : Anthony Lane / Alias : New Yorker
For anyone who denied that Titus Andronicus could ever be mashed up with The Cannonball Run, here is your answer, and we are only too happy to follow Nux as he cries, "What a lovely day!," and accelerates into a whirlwind of fire.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Flaws in the story - some easy political posturing, too many shallow characters - can't even come close to touching George Miller's strengths: A nightmarish visual imagery, an easy command of composition, a relentless sense of pace.

Name : Claudia Puig / Alias : USA Today
An operatic extravaganza of thrilling action and nearly non-stop mayhem . exhilarating, deranged and exhausting in almost equal measures.

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