
Entourage," the much-anticipated big-screen version of the award-winning hit HBO series, reunites the show's original cast, led by Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara and Jeremy Piven. Movie star Vincent Chase (Grenier), together with his boys, Eric (Connolly), Turtle (Ferrara) and Johnny (Dillon), are back.and back in business with super agent-turned-studio head Ari Gold (Piven). Some of their ambitions have changed, but the bond between them remains strong as they navigate the capricious and often cutthroat world of Hollywood.
About Entourage
Artist : Jessica Alba, Liam Neeson, Haley Joel Osment, Mark Wahlberg, Ronda Rousey, Alice Eve, Emmanuelle Chriqui, Emily Ratajkowski, Adrian Grenier, Shad MossAs : Jessica Alba, Liam Neeson, Travis, Mark Wahlberg, Ronda Rousey, Sophia, Sloan, Vincent Chase, Ari Gold, Grenier
Title : Entourage Gratuit
Release date : 2015-06-03
Movie Code : 1674771
Duration : 105
Category : Comedy, Theater, Tv, Tv Series, Series
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It's a particularly heartless, mindless and soulless example of the buddy movie - really more just a frenemy burlesque of a buddy movie.

As a comedian [Hart] has been begging for Hollywood's attention for five years. He has it now, but you've got to believe he can do better than this.

Like a laboratory experiment on how often a movie can spin from bad to good and back again.

You may not have missed them, but Vinnie, E, Turtle and Drama are back, as empty and self-centered as ever, in the aimless, vapid Entourage movie.

Devoted fans of the HBO series (2004-2011) will find it passably engaging, and newcomers will likely stare at the inside-Hollywood tropes and panic attacks the way Nipper the RCA dog stared at the Victrola.

Was there a crying need for a film version of Entourage? Hardly. But the movie is still a tribute to Piven's iconic performance as Ari Gold, a devil you can love.

On that vicarious-pleasure level, the movie version delivers. Yet for anyone with a sense of irony or social justice, it's also frustratingly soft around the edges.

The plot twists are easily guessed, and the film goes on for one predicament too long, but there are some good laughs.

Hart's springy energy and Ice Cube's deadpan snarl can be amusing, but they can't compensate for weak material.

To Ellin's credit, Entourage looks good and has liberal amounts of flash. But it is a fly trapped in amber, celebrating excess and male privilege in a sexist way that feels very old and decidedly out of step with the 2015 world.

At no point does anyone involved with the film ever take this too seriously, and as long as one takes it in the same spirit, it's perfectly enjoyable.

The bad news is that this sequel, which wants to wow us with its unrestrained, hyper-stylized, WTF-ness, is way too disposable for its own good.

It'll probably be a hit: Audiences are getting precisely what they're promised.

It's merely a continuation and not an expansion of what has gone before.

At its best, Ride Along is tolerable. At its worst, it borders on insulting.

Joining the ranks of odd-couple police comedies, ''Ride Along'' delivers laughs over action, with loudmouthed funnyman Kevin Hart driving the hilarity.

In 2015, however, bros only come before hos alphabetically, and what once felt like an innocent tale of wish fulfillment now plays like the masturbatory fantasy of a men's-rights activist.

[Most] of the movie is a wash of buddy cop cliches and double crosses that aren't worth the cocktail napkin they were jotted on.

Ghost Rider: Spirit of Vengeance nudges its obscure hero's mythology forward a bit without seeming to care much how it gets there.

Put it this way: Gary Busey is in the movie. You'll forget it faster than he does.

An aggressively mediocre improvement on the first film.

[Hart] at least . gives a boost to the familiar buddy-cops formula of "Ride Along."

Spirit of Vengeance is weighted down for long stretches in the middle, as it starts to treat its own religious hokum plotline with undue seriousness.

I'd have given all my popcorn for something unexpected, like a song-and-dance number, but "Ride Along" just plods along, not terrible but never particularly engaging.

Shot in Romania and Turkey, the scenery is terrific and gives you something to watch other than this confusing mess. Johnny Blaze, you're just a candle in the wind, mate.

Kevin Hart hits the vicinity of humor with a few of his drive-by wisecracks, but the movie itself has nothing under the hood.

You could accuse it of glamorizing the shallow hedonism it depicts, but that charge would only stick if the movie had any genuine flair, romance or imagination.

These guys learn nothing, they don't change, they have no arc and they are never truly challenged.

Whether Cage is still paying off castles, appeasing the IRS, or rebuilding his comic book collection, it's clear he's decided, for now, to trade his talent for cold, hard cash.

Will it be enough to make Hart a household name? Maybe. But both he and his fans deserve better.

It's a shame none of the women develop past sketches of angry girlfriends and no-name one-night-stands. Sexist, sure, but also a failure of imagination.

For a show that was all about seizing your moment, it may have missed its own.

Ride Along is saddled with an uninvolving plot, and largely content to coast on cop-movie cliches.

The movie has none of the fizz of the earliest of the series' eight seasons, and watching it summons that vague blank familiarity of discovering a show you used to watch is unexpectedly still on the air.

Nothing in the movie makes sense, but I prefer to think that "Ride Along" is just a badly told joke, rather than an insult to its audience.

The standards of all involved are so obviously floorboard-high, there's not much to say after the lights come up other than one of Blaze's "one-liners": "So, that happened."

All the familiar characters are there, along with ostentatious mansions, convertible Ferraris, Los Angeles landmarks and those topless women. It's a celebration of idealized consumption, presented without criticism.

The jaunty style of a hit TV series has been replaced by huge spasms of false energy and a sense of barely concealed flop sweat.

If you're looking for brainless action, hop in. But if you're aiming any higher, you'll probably want to find another ride.

This routine buddy picture offers plenty of instant gratification (Cube and Hart are easygoing screen presences, and many of their one-liners are funny) but shows little concern for characterization, storytelling, or even comic pacing.

Ride Along is a film so casual in its conception and execution, it should be titled Drive Thru.

This is a movie you keep watching only from lethargy.

Ride Along has the dubious distinction of being simultaneously shoddy and straining, lazy and desperate.

Since the film's largely schematic subplot about Serbian gunrunners can't manage much in the way of originality, it's fortunate that Story knows his way around a comedy.

It's like catching up with an old friend and remembering why you don't hang out with him anymore: He's stuck in a rut and he has nothing new to say.

At best, the Neveldine/Taylor team is capable of transforming ingeniously trashy premises into pop art, but here, they inherit a promisingly trashy franchise and fail to give it the allure and go-for-broke energy of superior trash.

A lazy and listless buddy-cop action-comedy that fades from memory as quickly as its generic title.

The film, though, has some redeeming qualities, including the presence of Idris Elba as the obligatory good guy, who encourages Johnny to get Danny into the protective custody of a religious order.

Gives shoddiness a bad name.

What more would one want? Well, actually, quite a bit, but this movie ain't got much more than that. Still, as noisesome entertainments go, it 'brings' that thing we sometimes call 'it.'

It's a noisy ride to nowhere.

Ride Along [is] a collection of moldy gags that director Tim Story tries to polish.

Cube is solid as the impenetrable brick wall that Hart's comic barrage bounces off. Their odd-couple shtick delivers laughs. But more often than not "Ride Along" chokes on its own fumes.

Scene after scene of a sputtering Hart and a glowering Ice Cube, despite the fact that they were brilliantly funny in, respectively, Think Like a Man and Barbershop, their previous collaborations with director Tim Story.

Entourage plays like a solid, if slightly too long, episode. But even given the bloat, the cast's easy camaraderie and a "play it as it lays" atmosphere wins you over.

You might think of the movie as a long car trip you've taken many times before. The same old roadside attractions may not be exciting, but when you've got great company, who cares?

It's a bro-mage to itself.

Is any of it funny? Hart and Cube's deliveries certainly are, but skilled comedians can make people laugh without being all that funny, especially if there's a large audience involved.

The most truthful answer is friendly but unexciting: They're OK. They're pretty good.

Four years after its eight seasons as an HBO series, "Entourage" is back as a feature film, and the first thing that needs to be said is that you don't have to know the show to enjoy the movie.

Did this overstuffed quality of "Entourage," its KFC Double Down too-much-is-not-enough-ness, ultimately work on me? Absolutely not.

There are some amusing moments but, like the TV series, Entourage is more interested in getting chuckles than guffaws. Maybe we should be thankful - at least the comedy isn't embarrassingly over-the-top.

Let sleeping bros lie.

The film is stuck in the inconsequential rut of the series. The characters are static, and the comedy is situational rather than dramatic.

Like the first Ghost Rider movie, this one burns plenty of rubber trying to swerve around plot holes and thinly written characters.

This slick doodle of a movie is nothing so much as an advertisement for itself.

These characters represent the most repellant cliches of male friendship, where guys can only relate to each other through a discourse of casual misogyny and female conquest.

This is a boring movie. The over-the-top outlandishness can't disguise that the whole 95 minutes represent one big snooze-fest.

The rapper and activist who recorded a furious album about the Rodney King attack is now embracing exactly the kind of violent, entitled, civil rights-crushing cop he once demonized

A forum for Kevin Hart to be the best stand-up comedian he can be.

History is lousy with mismatched-partner cop movies, and Tim Story's film is just another in that long line.

[Hart] gives Ride just enough buoyancy to keep it afloat, despite a story that would sink most performances.

This is a movie about a flaming skeleton that rides a motorcycle - there's no excuse for it to be this dull.

Like its pay-cable inspiration, Entourage remains stubbornly, defiantly low-stakes.

That mix of admirable restraint and unabashed pandering makes Ghost Rider: Spirit of Vengeance a guilty pleasure, if not the most wholesome treat.

For 100 minutes, I didn't think about anything else at all. And sometimes that small relief is the best thing a movie can give.

From its look to its episodic rhythm, the movie plays like a compressed Season 9 - a season that has its moments but wouldn't rank among the show's finest.

As he did in the show, Ari single-handedly saves the movie version of Entourage from "Medellin"-scale disaster.

Kevin Hart's mouth is the sole reason for the existence of the by-the-numbers buddy comedy Ride Along, which rises and falls on the strength of his chattery comic delivery.

There's nothing much funny in it at all.

An Ice Cube and Kevin Hart comedy that will probably be in a Rite-Aid discount bin in about six months.

It lacks the will, mandate, and talent even to attempt filmed entertainment.

One look at the dreadful mess that is Ghost Rider: Spirit of Vengeance will turn your whisper into a primal Cage scream: MAKE THIS MOVIE STOP!

This is a live-action cartoon.

The film's twitchy ADHD pacing hardly matters since we're in such good company.

Piven's Ari is so over-the-top in his narcissism and megalomania that he's fun to watch, but the other lead characters are the kind of bros who should be having drinks thrown in their faces on a regular basis.

After a while, you expect a tale of the movie business to tell you something about the movies as well as the business, but Ellin and company have never had anything to say about that.

The big-screen version of Entourage is constructed like the series, another chapter in a sequel-ready story. If you wanted something more, you won't get it. But you will get this, and if it does well, likely more of it.

Ordinarily I'd be into the idea of seeing Nicolas Cage's face burn, but alas, "Ghost Rider: Spirit of Vengeance" is not a documentary.

Supernatural fantasy movies often work best when the film-maker's tongue is planted firmly in the cheek.
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