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Jumat, Februari 10, 2017

Focus Full Movie Free

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A con artiist (Will Smith) takes on an inexperienced apprentice in this crime comedy from the filmmaking duo behind Crazy Stupid Love, Glenn Ficarra and John Requa. A veteran grifter takes a young, attractive woman under his wing, but things get complicated when they become romantically involved.

About Focus

Artist : Margot Robbie, Will Smith, Rodrigo Santoro, BD Wong, Gerald McRaney
As : Jess Barrett, Nicky, Liyuan, Ownes, McEwen
Title : Focus Full Movie Free
Release date : 2015-02-27
Movie Code : 2381941
Duration : 104
Category : Comedy, Crime, Drama


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Comment For Focus Regarder Gratuitment

Andrew Lapin Comment FocusName : Andrew Lapin / Alias : NPR
The second half feels like Ficarra and Requa ran out of ideas and just hit restart.
Wesley Morris Comment FocusName : Wesley Morris / Alias : Grantland
[For Smith,] Focus isn't a full return to brilliance but a welcome stop, hopefully, on the way there.
Colin Covert Comment FocusName : Colin Covert / Alias : Minneapolis Star Tribune
Decent but unremarkable . the kind of movie you see with some pleasure but no dreams of sequels or remakes.
Michael Phillips Comment FocusName : Michael Phillips / Alias : Chicago Tribune
Even in a lark about con artists working through their trust issues, we need more.
Amy Nicholson Comment FocusName : Amy Nicholson / Alias : L.A. Weekly
If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus' Margot Robbie, a va-va-voom blonde with bite
Steven Rea Comment FocusName : Steven Rea / Alias : Philadelphia Inquirer
Even if you're willing to forgive its sinkhole plotholes and farthest-fetched conceits, the film - from cowriters/co-directors Glenn Ficarra and John Requa - ultimately makes no sense.
Barbara VanDenburgh Comment FocusName : Barbara VanDenburgh / Alias : Arizona Republic
Although it brings nothing new to the con-artist fold, or even anything thrilling, "Focus" is a seductive enough rehash that benefits from the built-in pleasures of the trade.
James Rocchi Comment FocusName : James Rocchi / Alias : TheWrap
Like a perfect cocktail mixes the sour with the sweet and the bright with the boozy, "Focus" combines seamless, superbly-crafted filmmaking with the fizz and fun created by its leads.
Ignatiy Vishnevetsky Comment FocusName : Ignatiy Vishnevetsky / Alias : AV Club
Focus' problem isn't that its stars lack charm, but that it's squeezed into tight spaces between protracted explanations of setups, backstories, and twists-a poor example of the every-shot-must-convey-narrative-information school of filmmaking.
Mick LaSalle Comment FocusName : Mick LaSalle / Alias : San Francisco Chronicle
"Focus" is ridiculous in every detail. It's a movie with no truth, that teaches nothing and shows nothing, that has only its audacity to recommend it.
Stephen Whitty Comment FocusName : Stephen Whitty / Alias : Newark Star-Ledger
Sexy stars, pretty cities, nice music and some tricky action. If that's a con game, well - I'm happy to be had. And you will be, too.
Peter Rainer Comment FocusName : Peter Rainer / Alias : Christian Science Monitor
This is the kind of movie where we're not supposed to know at any time who is playing whom, but since the characterizations are glossy and paper-thin, it's difficult to get worked up about who gets fleeced.
James Berardinelli Comment FocusName : James Berardinelli / Alias : ReelViews
It does enough things right to earn a recommendation, but there are misfires aplenty for those who care to look for them.
Lisa Kennedy Comment FocusName : Lisa Kennedy / Alias : Denver Post
It's a shiny, diverting ride. (And right about now, that's OK.)
Peter Howell Comment FocusName : Peter Howell / Alias : Toronto Star
We can't say we weren't warned. Will Smith has been telling us not to trust him the entire movie.
Joe Neumaier Comment FocusName : Joe Neumaier / Alias : New York Daily News
In this lame caper, the biggest scam perpetrated is the one that makes audiences think they'll have a good time.
Todd McCarthy Comment FocusName : Todd McCarthy / Alias : Hollywood Reporter
Unfortunately, since the major characters' salient character traits are insincerity, opaqueness and untruthfulness, it's hard to invest much interest in any of them.
Claudia Puig Comment FocusName : Claudia Puig / Alias : USA Today
At times . Focus resembles a commercial for a pricey brand of liquor, an elite hotel or a luxury car more than a story-driven movie.
J. R. Jones Comment FocusName : J. R. Jones / Alias : Chicago Reader
Smith wears it like a well-tailored suit, and the brisk, snappy dialogue is well delivered by an able cast.
Randy Myers Comment FocusName : Randy Myers / Alias : San Jose Mercury News
This kind of film needs a punchy right hook to follow up its clever, if outlandish, jab late in the game, and "Focus" doesn't deliver.
Connie Ogle Comment FocusName : Connie Ogle / Alias : Miami Herald
Focus is a shiny, stylish shell game of a film that, much like its protagonists, relies on breezy chatter, a good sense of humor and a lot of misdirection to succeed.
Richard Corliss Comment FocusName : Richard Corliss / Alias : TIME Magazine
The mix of longtime star and minx on the rise is one tasty element in the success of a movie that approaches the modest goals and effortless allure of a 60-year-old Hitchcock.
Joe Morgenstern Comment FocusName : Joe Morgenstern / Alias : Wall Street Journal
The film itself comes to feel like a con, thanks to a script that's too clever by two-thirds, and butterfingered in the ways of portraying love.
Cary Darling Comment FocusName : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The story is ludicrous.Yet Focus, Will Smith's mea culpa to moviegoers after the post-apocalyptic tedium of After Earth two years ago, is more breezily enjoyable than it has a right to be.
Peter Travers Comment FocusName : Peter Travers / Alias : Rolling Stone
The two stars are dazzling distractions. Robbie is a wow and then some. The Aussie actress shows a comic flair backed up with beauty and steel. Even when Focus fumbles, Robbie deals a winning hand.
Peter Debruge Comment FocusName : Peter Debruge / Alias : Variety
While not quite the "art" it's billed to be, if the perfect con is about diverting one's focus, then this one keeps you distracted till the end.
Richard Brody Comment FocusName : Richard Brody / Alias : New Yorker
That sound you hear is the high-fives in the writers' room, and that, unfortunately, is where the filmmakers' focus remains.
Liam Lacey Comment FocusName : Liam Lacey / Alias : Globe and Mail
Drunk on its perfume-ad cinematography and doesn't know when to quit with its double-double cross plotting.
Chris Nashawaty Comment FocusName : Chris Nashawaty / Alias : Entertainment Weekly
What keeps the film humming along as smoothly as it does is the chemistry and charisma of its leads.
A.O. Scott Comment FocusName : A.O. Scott / Alias : New York Times
Mostly, it is fun to watch Will Smith and Margot Robbie, and to marvel at whatever divine or evolutionary miracle concentrated so much charisma in the two of them.
Rex Reed Comment FocusName : Rex Reed / Alias : New York Observer
It's beautifully photographed and entertaining, with charming performances by Will Smith and newcomer Margot Robbie that tease and tantalize. You won't be bored.
Adam Graham Comment FocusName : Adam Graham / Alias : Detroit News
Smith's natural charisma has been dulled by special effects bonanzas and/or a desire to play against type. In "Focus," he feels like himself again, and he reminds you why he became one of Hollywood's biggest stars in the first place.
Joe Williams Comment FocusName : Joe Williams / Alias : St. Louis Post-Dispatch
It's yet another reminder that if it's not called "The Sting," you shouldn't get too comfortable with a con-game movie.
Ann Hornaday Comment FocusName : Ann Hornaday / Alias : Washington Post
There's much to be said for a film that doesn't overreach, delivers on most of its promises and gets the audience out the door in just over an hour and a half.
Kyle Smith Comment FocusName : Kyle Smith / Alias : New York Post
It's not that the movie keeps you guessing with its intricacy, it's more like it's making it up as it goes along.
Ty Burr Comment FocusName : Ty Burr / Alias : Boston Globe
You come out feeling you've been had by well-intentioned crooks who aren't ready for the big show.
Tom Huddleston Comment FocusName : Tom Huddleston / Alias : Time Out
A predictably unpredictable tale of conmen and women complete with the industry-mandated quantity of fast cars, short skirts, sharp suits, slippery billionaires and "Oh, it was that guy all along!" plot twists.
Richard Roeper Comment FocusName : Richard Roeper / Alias : Chicago Sun-Times
Smith and Robbie are terrific together. At various points along the way, he's playing her, and then she's playing him, and then we're almost positive they've let their collective guard down and they're really in love . Or are they?
Rafer Guzman Comment FocusName : Rafer Guzman / Alias : Newsday
Like a counterfeit handbag: It looks great but falls apart when you reach into it.
Christy Lemire Comment FocusName : Christy Lemire / Alias : RogerEbert.com
Co-stars Will Smith and Margot Robbie remain consistently charismatic, even once the script for this heist caper collapses in a punishing pile of its own twists and double-crosses.
Moira MacDonald Comment FocusName : Moira MacDonald / Alias : Seattle Times
Smith and Robbie, both going through the motions, don't click at all, and Robbie in particular has nothing to play.
Betsy Sharkey Comment FocusName : Betsy Sharkey / Alias : Los Angeles Times
The Hollywood stakes for Smith are as high as they are for the con man he plays. As it stands, "Focus" just might be a game changer.


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Kamis, Februari 09, 2017

Demon Volledige Film In Dutch Ondertitels

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Newly arrived from England to marry his fiancee Zaneta (Agnieszka Zulewska, Chemo), Peter (Israeli actor Itay Tiran, Lebanon) has been given a gift of her family's ramshackle country house in rural Poland. It's a total fixer-upper, and while inspecting the premises on the eve of the wedding, he falls into a pile of human remains. The ceremony proceeds, but strange things begin to happen. During the wild reception, Peter begins to come undone, and a dybbuk, the iconic ancient figure from Jewish folklore, takes a toehold in this present-day celebration-for a very particular reason, as it turns out. The final work by Marcin Wrona, who died just as DEMON was set to premiere in Poland, is part absurdist comedy, part love story-that scares, amuses, and charms in equal measure.

About Demon

Artist : Itay Tiran, Agnieszka Zulewska, Andrzej Grabowski, Tomasz Schuchardt, Katarzyna Herman
As : Piotr
Title : Demon Volledige Film In Dutch Ondertitels
Release date : 2016-09-09
Movie Code : 4935158
Duration : 94
Category : Art House, International, Mystery, Suspense


--- Trick Get Demon 100% FREE ---

1. Click link/button before this section (WATCH/DOWNLOAD button)

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Comment For Demon Full Movie In English 2017 Hd

Joe Leydon Comment DemonName : Joe Leydon / Alias : Variety
Ambiguity is a worthy artistic goal, of course. But when Demon ends, the audience is left to sort through a thicket of dangling plot threads.
Chris Nashawaty Comment DemonName : Chris Nashawaty / Alias : Entertainment Weekly
It's also so weighted down with mysticism and metaphor it forgets to quicken your pulse or whiten your knuckles.
Katie Walsh Comment DemonName : Katie Walsh / Alias : Tribune News Service
Archly silly, quotable, visually hypnotic and perfectly suited for repeat viewings. On first watch, the film is bizarre, hallucinatory, shockingly gruesome. A second watch unlocks the dumb-clever charms of Refn's script
Tom Russo Comment DemonName : Tom Russo / Alias : Boston Globe
After all the earlier trippy languor, Refn suddenly pushes hard to make this a unique statement. Which it is - uniquely repellent.
Owen Gleiberman Comment DemonName : Owen Gleiberman / Alias : Variety
It's not boring, but there's less to it than meets the eyeball.
Justin Chang Comment DemonName : Justin Chang / Alias : Los Angeles Times
Perhaps it's best to appreciate "Demon" not for what it implies but for what it simply and unmistakably is: A bravura testament to a talent silenced far too soon.
Adam Graham Comment DemonName : Adam Graham / Alias : Detroit News
"Demon" is a testament to a still-budding talent, and it would have been fascinating to see where he went next.
J. R. Jones Comment DemonName : J. R. Jones / Alias : Chicago Reader
This stylish shocker by writer-director Nicolas Winding Refn (Drive) equates physical beauty with the life force-the metaphor is intriguing, but not enough to compensate for his cliched portrayal of the modeling business as a glamorous snake pit.
Sara Stewart Comment DemonName : Sara Stewart / Alias : New York Post
Like Refn's one-dimensional women, this movie thinks it's profound when it's really just drop-dead gorgeous.
Andy Webster Comment DemonName : Andy Webster / Alias : New York Times
The film has a powerful undercurrent suggesting the feverish workings of a troubled yet brilliant mind.
Rene Rodriguez Comment DemonName : Rene Rodriguez / Alias : Miami Herald
The Neon Demon is a voluptuous provocation, a stylish free-fall down a gonzo rabbit hole that is as entrancing as it is maddening.
Alan Zilberman Comment DemonName : Alan Zilberman / Alias : Washington Post
Wrona jumbles several genres together, including dark comedy, to illuminate larger, more ambitious themes.
James Berardinelli Comment DemonName : James Berardinelli / Alias : ReelViews
Pretentious and self-indulgent, it seems tailor-made to appeal to lovers of the obtuse and inscrutable until it takes a left-turn into schlocky, gore-drenched splatter imagery.
Justin Chang Comment DemonName : Justin Chang / Alias : Los Angeles Times
Nicolas Winding Refn's latest film is a self-indulgent exercise in style. But what self-indulgence, and what style!
Edward Douglas Comment DemonName : Edward Douglas / Alias : New York Daily News
As with many supermodels, The Neon Demon is gorgeous to the eye but ultimately quite vacant and shallow.
Soren Anderson Comment DemonName : Soren Anderson / Alias : Seattle Times
Refn ("Drive") is a visual stylist, first and foremost, and he never lets the audience forget it. "Demon" is a monument to his self-regard .
Kate Taylor Comment DemonName : Kate Taylor / Alias : Globe and Mail
Things go downhill rapidly as the movie descends into horror material that is laughably grotesque yet so visually cool it remains fatally unfunny.
Adam Graham Comment DemonName : Adam Graham / Alias : Detroit News
There's no denying the beauty of Refn's images, even if his puerile instincts are at odds with his obvious pretensions. Those who cry it's shallow and ugly won't be wrong; others will love it for those very reasons.
J. Hoberman Comment DemonName : J. Hoberman / Alias : Tablet
Demon, Wrona's third and last feature, a Polish-Israeli co-production, is a supernatural film, as well as a family of melodrama and extremely dark comedy.
April Wolfe Comment DemonName : April Wolfe / Alias : Village Voice
Whether or not you connect with Refn's brand of over-the-top violence, you can't deny that his attention to color, texture, and music is nearly unmatched by other directors working today.
Rex Reed Comment DemonName : Rex Reed / Alias : New York Observer
I'd like to tell you how dumbfoundingly awful The Neon Demon is, but I know when to give up.
Will Leitch Comment DemonName : Will Leitch / Alias : The New Republic
A deadly combination of self-seriousness and self-indulgence that's more about the obnoxious petulance of its director than anything else. This is a movie you want to pick up and throw across the room.
Mike D'Angelo Comment DemonName : Mike D'Angelo / Alias : AV Club
The movie ultimately doesn't have a narrative so much as it has a Message, and while Winding Refn doesn't actually go so far as to spell that Message out in big neon letters, he might as well have.
Dave Calhoun Comment DemonName : Dave Calhoun / Alias : Time Out
Gorgeous, obvious, vapid, beautiful, a bit boring.
Robert Abele Comment DemonName : Robert Abele / Alias : TheWrap
Enjoy the cascade of formal, brazen imagery, just don't mistake its sporadic painterly power for the clinical rigor of Kubrick, De Palma's maestro panache, or a snaky Lynchian nightmare.
Glenn Kenny Comment DemonName : Glenn Kenny / Alias : New York Times
"The Neon Demon" is hot garbage that dares you to call it offensive. In addition, it's offensive.
Stephanie Zacharek Comment DemonName : Stephanie Zacharek / Alias : TIME Magazine
This is purely an exercise in style, and what style!
Peter Travers Comment DemonName : Peter Travers / Alias : Rolling Stone
A special kind of awful. I'd talk about the acting, but I never saw any; it's all posing. Director Refn seems to saying that the L.A. beauty business is superficial and needs to be avoided. Ditto this movie.
Amy Nicholson Comment DemonName : Amy Nicholson / Alias : MTV
An all-female cast just gives Refn more ways to get women wrong.
Andrew O'Hehir Comment DemonName : Andrew O'Hehir / Alias : Salon.com
Whether you think it's a brilliant feminist commentary or misogynistic softcore porn is entirely up to you. And who says those things cancel each other out?
Richard Roeper Comment DemonName : Richard Roeper / Alias : Chicago Sun-Times
Neon Demon is something to look at. It's gotta lot of bark and a little bit of a bite. It just never sinks in.
Michael O'Sullivan Comment DemonName : Michael O'Sullivan / Alias : Washington Post
If Refn is trying to skewer our cultural fixation with youth and good looks, his blade isn't up to the task. "The Neon Demon" attacks, but indiscriminately.
Rafer Guzman Comment DemonName : Rafer Guzman / Alias : Newsday
Stylish and creepy, but also simplistic and hollow. As an indictment of the beauty industry, it's only skin-deep.
Alison Willmore Comment DemonName : Alison Willmore / Alias : BuzzFeed News
The movie is a bloody-mawed catfight on hallucinogens, but the visual splendor doesn't change the fact that the film barely has characters.
John DeFore Comment DemonName : John DeFore / Alias : Hollywood Reporter
Things head eventually in an abstract direction that may have played better onstage than it does here ("we must forget what we didn't see here," guests are eventually instructed), but a compelling atmosphere lingers.
J. R. Jones Comment DemonName : J. R. Jones / Alias : Chicago Reader
Tonally the film recalls Andrzej Żuławski's shrieking psychodrama Possession, though the key to that movie was its inexplicability and Wrona's movie, with its conventional horror backstory, is much less perplexing.
Tirdad Derakhshani Comment DemonName : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A bold visionary artist, Refn seems able to revel in the culture of instant gratification while also subjecting it to critique.
Peter Howell Comment DemonName : Peter Howell / Alias : Toronto Star
Refn is hardly the first moviemaker to find a link between supermodels and scary monsters, but he may be the most style-minded one to make the connection. Imagine an issue of Vogue with Maleficent as guest editor.
Liz Braun Comment DemonName : Liz Braun / Alias : Toronto Sun
The Neon Demon is a cautionary tale about youth, beauty and Los Angeles, a vampiric study of modelling that is both terrifying and hilarious.
Tirdad Derakhshani Comment DemonName : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A chilling, eerie cautionary tale about the ghosts that continue to haunt Poland long after the war.
Simon Abrams Comment DemonName : Simon Abrams / Alias : RogerEbert.com
Demon ranks up there with The Witch and The Babadook as one of the best recent horror films.
Bill Goodykoontz Comment DemonName : Bill Goodykoontz / Alias : Arizona Republic
The film is visually striking, even if the images don't always make sense.
Brian Truitt Comment DemonName : Brian Truitt / Alias : USA Today
Characters only exist as empty archetypal vessels and some of the wackier elements are laughably campy, but Refn's sumptuous visuals and disco-synth score help give Neon Demon undeniably sinister style.
Katie Rife Comment DemonName : Katie Rife / Alias : AV Club
More interesting than the horror imagery is the film's painfully somber message-no matter how far we try to run, the sins of history surround us always.
Colin Covert Comment DemonName : Colin Covert / Alias : Minneapolis Star Tribune
Entertaining and deeply screwed up with historic horrors, this is an all-too-human ghost story that wears several bleeding hearts on its sleeve.
Todd McCarthy Comment DemonName : Todd McCarthy / Alias : Hollywood Reporter
A stultifyingly vapid, ponderously paced allegorical critique of the modeling world whose seethingly jealous inhabitants can't wait to literally chew each other up and spit each other out.
Stephen Whitty Comment DemonName : Stephen Whitty / Alias : Newark Star-Ledger
Refn has shown that he's a director who knows how to say things with energy and imagery and verve. Now if he could only find something worth saying.
Eric Kohn Comment DemonName : Eric Kohn / Alias : indieWIRE
This grotesque, hyperstylized treatise on the fashion industry recaptures some of the zany images and B-movie abstractions of Refn's crossover effort, "Drive," though it never quite gels on the same level of inspiration.
Mark Jenkins Comment DemonName : Mark Jenkins / Alias : NPR
It's comedy, as much as the eerie atmosphere and Tiran's very physical performance, that distinguishes Demon from routine ghost stories.
David Lewis Comment DemonName : David Lewis / Alias : San Francisco Chronicle
The exquisitely shot "Demon" is not gory or particularly scary, but it has its fair share of chills.
Joshua Rothkopf Comment DemonName : Joshua Rothkopf / Alias : Time Out
Nailing a tricky sense of physical anarchy (as well as some far subtler domestic tensions), Marcin Wrona's Polish import is an eerie, extraordinarily poised piece of horror.
Kevin P. Sullivan Comment DemonName : Kevin P. Sullivan / Alias : Entertainment Weekly
The ending will shock just about everyone, but to what end? Neon Demon is as beautiful and empty as the industry it sends up.
Peter Rainer Comment DemonName : Peter Rainer / Alias : Christian Science Monitor
Wrona keeps everything creepily ambiguous right up to the end, when the foggy dawn breaks and what we have witnessed becomes like a dream within a dream.
Scott Tobias Comment DemonName : Scott Tobias / Alias : NPR
The mesmeric pull of The Neon Demon cannot be denied. It lures you in for the kill.
Anthony Lane Comment DemonName : Anthony Lane / Alias : New Yorker
Prettiness and brutality both seep from the pores of the movie.
Scott Marks Comment DemonName : Scott Marks / Alias : San Diego Reader
Though it's based on Piotr Rowicki's play Clinging, director Marcin Wrona's spirited staging keeps it from ever dissolving into canned theater.
Simon Abrams Comment DemonName : Simon Abrams / Alias : RogerEbert.com
"The Neon Demon" is often productively brash, even if it is ultimately more preposterous than it is satisfying.
David Lewis Comment DemonName : David Lewis / Alias : San Francisco Chronicle
It critiques our obsession with models and beauty and style, even as it obsesses about those very same things. There is a lot of flash, but little substance.
Matthew Lickona Comment DemonName : Matthew Lickona / Alias : San Diego Reader
Yes, Refn indulges his camera to the point of luxuriating, but then, he has reason to believe you'll stay with him.


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  29. Bad Santa 2
  30. Night at the Museum: Secret of the Tomb
  31. Elvis & Nixon
  32. Cinderella
  33. LE FANTOME DE CANTERVILLE
  34. MA LOUTE
  35. Ricki And The Flash
  36. The Babadook
  37. The SpongeBob Movie: Sponge Out of Water
  38. The Angry Birds Movie
  39. Love & Mercy
  40. Gods Of Egypt
  41. Miss Sloane
  42. Naam Hai Akira
  43. Neighbors 2: Sorority Rising
  44. Denial
  45. Almost Christmas
  46. The Gunman
  47. Kung Fu Panda 3
  48. Unbroken
  49. Inherent Vice
  50. Sam & Amira

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